Monday, November 3, 2008

Arnold Rothstein and the 1928 Election.



Eighty years ago, on the evening of November 4, 1928, Arnold Rothstein sat at his favorite table at Lindy’s, a delicatessen located between 49th and 50th on Broadway. It was a modest, almost unassuming place, even with its renowned world famous cheesecake. But it held a certain allure with the varying denizens of the Great White Way, and some of its more popular customers included Al Jolson, Harpo Marx, Walter Winchell, and stage performer Fanny Brice, who went so far as to have the cheesecake flown or driven to her during her out of town appearances. The 1920s was known as the ‘Deli Decade’ in New York, mostly Jewish owned, and Lindy’s, which opened in 1921, was the place to be. Rothstein held court there and used it as a defacto office; conducting business over coffee and cake, jotting down numbers in his famous little black books, and took his calls. If he wasn’t at Lindy’s, his table would sit vacant, rarely occupied by anyone else, and never after 9 pm.
It was A.R.’s.

Rothstein spent part of the evening taking bets on the Presidential election, which was two days away. New York’s famous and beloved reformer State Governor, Alfred E. Smith, Democrat, was up against Hebert Hoover, Republican.

Rothstein had his money on Hoover.
The 1920s had been a boom decade of economic upswing and prosperity for Broadway and the rest of America, and much had to with President John Calvin Coolidge and his Republicans in office. They rode the momentum of an already invigorated post-war America that quickly rose to world leadership and power. Coolidge stepped aside, and Herbert Hoover stepped in.

Rothstein always had an eye for a winner.
He knew America was not ready for someone like Al Smith; a gruff voiced son of the Lower East Side; a cigar-chomping Roman Catholic who was soft on Prohibition, who leaned a little to the Left, and has some loose ties early in his political career to Tammany Hall. He was a product of New York City, not America, and Rothstein knew that that fundamental difference went far in the political arena. He was one of us, and he doesn’t have a chance.

Recent events in Rothstein’s life prior to that evening had led to a shaky last couple of months. Things had just not been right. His mind, once sharp with an uncanny memory for numbers and percentages, had grown fuzzy. His slick demeanor and appearance took a turn. He seemed unkempt and sickly, his hands shook all the time, and his confidence faded.

Up until then, Rothstein's criminal career had been a meteoric rise to the top. His powerful influence and notoriety reached far and wide - from the Lower East Side to Harlem and most points in between as well as beyond city limits.
Early on, his father, Abraham Rothstein, a well – respected and religious man whose philanthropic interests earned him the moniker of 'Abe The Just', was troubled by his son's wayward wanderings into the underworld. He tried to have him follow in his good son's Harry's footsteps of academic achievement and rabbinical studies. Arnold shunned it all, apparently claiming,
"Who cares about that stuff. This is America, not Jerusalem. I'm an American!"

He is perhaps most famously remembered in allegedly having a hand in fixing the 1919 World Series with the loss of favorites the Chicago White Sox to the Cincinnati Reds, something never proven and more possibly untrue, but makes for great folklore and newspaper copy.
He saw beyond the rough and tumble ways below 14th Street, using his sharp mind instead of his fists. He always looked ahead of the curve and was one step ahead.

Gambling and numbers were his biggest strength and he had a true talent for it. He made early connections with Monk Eastman and used his muscle as collector on debts owed back to him. Tutelage from Big Tim Sullivan and other political connections allowed him to manage secretly run city casinos that attracted Manhattan socialites and others including Joseph Seagram, the Canadian Whiskey baron. High rollers would lose upwards of $250,000 to Rothstein in a single night.
He watched the Rosenthal – Becker affair like a stage play from the cat walk, never getting his hands dirty but pulling important strings.
He bankrolled early Prohibition operations and speakeasies all over the city, and even financially backed a couple of Broadway plays. One was called Abie’s Irish Rose, whose story revolved around an inter-faith marriage much like his, between a Jew and Irish girl. It was a smash hit. The second, Shuffle Along, was the first Broadway play with an all African-American cast, which nobody else wanted to touch.
He moderated and arranged truces between warring gangs all over town. His ability to move within both the Lower East Side and uptown white-collar criminals was an advantage no one had before and by the age of 46, he was the underworld's golden boy and his orders were obeyed by almost everyone.
He was never arrested and rarely photographed.
He was respected, and reviered.
He taught, tutored, and tolerated.
They called him A.R., The Brain, The Big Bankroll, and he was the original Mr. Big.
Picture early 20th Century New York as the Land of Oz, and Broadway as the yellow brick road.
Rothstein was the man to see behind the curtain.

The evening of November 4, 1928 however did not find Rothstein, a notorious hypochondriac, in the best of mental states. Those endless bags of figs he kept in his suit pocket and consumed daily as supposed brain food, were not working.
And his luck seemed to have changed as well.
He took a call at his booth in Lindy’s from George McManus, who wanted to see him at the Park Central Hotel.

Back on September 8, he had sat down to a poker game organized by McManus at the Park Central Hotel.
The game ended on September 10.
No one seemed sure what happened to Rothstein during the course of that marathon poker game. His judgment was off, he fumbled like an amateur and he raised very high stakes without sure bets in his palms. His edge had dulled somehow and the card sharks in the room noticed as they circled him, waiting for the kill.
He lost $50,000 on a single high- card draw.
His total loss amounted to over $320,000.
Rothstein, livid, slipped them an IOU. and left, promising them a pay off in a day or two, which included the winnings to west coast gambler ‘Nigger Nate’ Raymond, who took Rothstein on that hefty high-card draw and who was showing him very little respect through the entirety of those fateful 48 hours.
While a staggering amount to lose at poker, Rothstein could afford it, but he never intended to pay up. He convinced himself and others around him that the game was rigged and announced he would refuse to pay up.
Whispers and hyperbole now traveled up and down Broadway on how the great A.R. had suddenly welshed on a bet, the one trait he had always despised. Rothstein paid the gossip and back alley talk no heed, and for the following couple of months, sidestepped their demands of payment.

Half an hour after taking his phone call from McManus, Rothstein leaned against the wall next to the service entrance of the Park Central. Blood, which had trickled down the stairs leading from Room 349, was now streaming between his fingers as he clutched his mid - section, his face ghostly pale as he struggled for breath. He asked the service elevator operator to get him a cab, but an ambulance arrived instead.
Rothstein spent two days clutching for life at Polyclinic Hospital.
Detectives urged the dying Rothstein to name the shooter. Rothstein stayed mum, claiming he would take care of it himself.

On November 6, Herbert Hoover took the Presidential Election with a 58% landslide over Alfred E. Smith’s 40%. Hoover even took New York State from Smith, which left him rather devastated.
At the Polyclinic Hospital, Arnold Rothstein let out his last dying breath, winning his final bet, and the lights at Lindy's and along Broadway, dimmed.

Friday, October 17, 2008


I was recently commissioned by filmmaker and actor Franklin Abrams, who is also a Monk Eastman aficionado and scholar, to illustrate and design a logo for his upcoming Our Gotham project. Abrams is behind the Monk 1903 website of which I posted about on September 16. Our Gotham will be an ongoing series of webisodes focusing on Eastman and his pals Lollie Meyers and Joseph Brown in a modern setting as well as of times past, and the first episode should be up online in November.
I will have more details as they become available to me.
With very little photo reference of Monk Eastman out there, I had to imagine a three quarter view of the old gangster boss and believe I've managed to capture his essence.

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Some blog sides notes:

I just recently added a counter to the blog as my curiosity was peaked as to how many visits it actually gets. I've been pleasantly surprised by the number of visitors in the short time so I thank all of you who have, and keep dropping by.

Future posts may be a little sporadic as I am gearing up for something for which I will announce soon, and in turn will keep me quite (happily) busy.

I also should note that it seems this blog, for some reason, is best viewed through a Firefox browser as when looked at in Safari, certain elements are actually missing !?

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Friday, October 3, 2008


Sunday, October 5 will mark the 96th anniversary of the death of Big Jack Zelig, so I thought it would be rather appropriate to plug Rose Keefe's The Starker, Big Jack Zelig, The Becker - Rosethal Case, And The Advent Of The Jewish Gangster, which has finally been released, and I must say it has been worth the wait.
I'm currently only halfway through but felt the urge to spread the word in the meantime...

Keefe's book expands on what has really been in essence a supporting subplot of the entire Herman Rosenthal / Charles Becker affair. The Starker now brings Zelig to the forefront, with great new insights and information on his early days leading up to his guiding the scattered Eastman gang back on track after a life changing and violent incident in Chicago; his utter disdain for gamblers and drugs; his actual involvement in the Rosenthal case; and to that fateful trolley ride in October of 1912.

Zelig Lefkowitz’s legacy remains a rare one. Not only had he the outmost respect from his gang, but also was considered as a patriarchal figure by the Jewish community of the Lower East Side at the time, the only leading Jewish mobster to do so.
Zelig vowed to protect his neighborhood from menacing Italians who preyed on weak willed business owners, tauntingly pulled on old men’s beards hovering outside of Shuls, solicited young women into the snares of prostitution, and generally bullied the Jewish immigrant populace.
Zelig kept his promise with vigor and affirmative force. Under Zelig’s command, his gang single-handedly extinguished outside oppression experienced by Jews on the streets from the roving band of Italian hoodlums, petty thieves, and pimps. Zelig was hero to most of the people whose old world distrusts of law enforcement and authority had carried over with them to the new land. They had Big Jack as their own protector instead. Even legitimate businessmen who knew of Zelig’s illegal interests couldn’t help but be impressed.
They had created their own East Side Golem in a way.

Anyone with an interest in not just pre-World War I, but overall Jewish Gangster history, and to get a better understanding of the seeds from which it all grew, should seek this book out.



Saturday, September 20, 2008


I've just recently returned from a week long trip in New York, partly to do a little research, partly for a little r & r (if that's possible in such a city).

Even way before this project came to be, I've had an on going love affair with New York, ever since I can remember. I still find myself awed by the city every time I visit, and I have been there over the years more times than I can remember. Its monumental triumphs of ego, grandeur, greed, and capitalism never fail to still leave me breathless at times. Perhaps one can only have this perspective by being an outsider, but I'm sure many native New Yorkers feel the same way. Its a city of extremes, and its far from perfect or idyllic; no urban center is or ever will be. But, there is a magical, chaotic beauty to its ebb and flow that is its own.

One of my plans on this trip was to go on a little hunt for historical locations of gangster days gone past - but not really to my surprise, not much is left standing from close to one hundred years ago. Changes come quick in the city and so does the wrecking ball.

The Bluebird Café on 14th Street, where Monk Eastman finally met his end: a Whole Foods presently resides.

At Herman Rosenthal's gambling house, a three story
brownstone at 104 West 45th St., stands (somehow fittingly) a CitiBank, which takes up a good quarter of the block.

The Tenderloin's fabled 16th Precinct on West 47th above Eight Avenue, where Charles Becker worked out of, and Rosenthal's body was taken to, has gone the way of the ghost as well.

I was happy to see the six story building that was the Hotel Metropole was still standing, located about 50 yards below Broadway on 43rd St. It's now the Casablanca Hotel, and adjacent is Tony's restaurant. This was the location of the Café Metropole where Rosenthal spent the last few minutes of his life before being gunned down outside in July of 1912. Something told me I should go inside an order a grilled chicken salad. So I did, and gave thought to Herman.

The last place Big Jack Zelig was seen alive by his friends was at Segals Café located at 76 Second Avenue, before hopping on that fateful trolley heading towards 14th Street. A building still stands, but has given away to religious order.

The corner of Rivington and Allen was a lot noisier the night of September 16, 1903 when the Eastmans and Paul Kelly's Five Pointers were ensconced in major street and gun battle that lasted long into the evening hours. Police stood by helpless with just nightsticks until finally after midnight, with sufficient officers from surrounding precincts assembled, they were sent into the melee and finally managed to break things up.

Eastman earned himself a headline in the next morning's New York Times:

“ MONK EASTMAN‘S GANG RUN RIOT WITH PISTOLS AND KNIVES. “Monk Eastman” and his gang broke their own bloody record for revolver fighting early yesterday when they spread terror through part of the east side governed from the Fifth Street and Eldridge Street Police Stations”.

Time didn't permit much more however but I hope to return soon and continue these wanderings and see if any ghosts continue their whisperings from the past.
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Besides some gangster haunts, I also made my way over to the Society Of Illustrators, a place I had always meant to see and finally got t0 this time around. I also had the chance to participate in one of their life drawing sessions which they hold weekly. There's a nice feeling to be sketching in such an institution whose walls contain a rich history of American illustrators past (and present). Original works by Dean Cornwell, James Montgomery Flagg, J.C. Leyendecker and many more hang on the walls; and there's nothing like ordering a drink at a bar over which hangs a seven foot wide Norman Rockwell painting. It was a special night for me to be there and thought I'd share a few drawings done there and spare you a gangster for now...


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Tuesday, September 16, 2008

What You Do, Is What You Do... I Do, What I Do...

Filmmaker Franklin Abrams has put together a great site called Monk 1903 which has just recently gone up. I met with Franklin last week in Manhattan, and besides being a fine fellow, has some very interesting plans in the near future with regards to keeping the spirit of Monk Eastman and New York's early 20th century Jewish criminal history alive and well and continually reaching a new audience.

The site will also serve as the future home for "Our Gotham", a upcoming bi-monthly webisode series depicting Monk Eastman and his loyal cronies, Joseph Brown and Lollie Meyers as they are plucked from life as they know it, 1903 Gotham and are thrown in the modern day reality of what is 2008 New York.

Abram's first short is up now on his site and youtube; an imagined scene between a down and out Eastman, fresh from his release from Blackwells Island Prison, and Big Jack Zelig in early 1912.
As a side note, Big Jack Zelig's great great nephew, Jan Lefkowitz, portrays his infamous great uncle in this scene, and the family resemblance is rather spooky.
The Starker's author Rose Keefe, provides the introduction and background.

Wednesday, August 27, 2008

Honest Abe





Up until now, the entire focus of this project has been on the criminals; the thugs and the bosses; the schtarkes and the schmucks; and other slithery and slippery hard-boiled Hebrews. While the law and the Jewish community of the time did its best at wrangling up these miscreants and misfits, with whom we can’t help and be fascinated with, a tip of the hat is long overdue to one man during this particular period – Abraham Shoenfeld.


Abe Shoenfeld was the original Shamus – a detective and investigator hired on by The Kehillah (Hebrew for ‘community’) to head up The Bureau Of Social Morals in 1912 following the now infamous murder of Herman Rosenthal. The Kehillah was set up initially by well to do uptown Jews of mostly German descent as a means of unifying New York’s quickly expanding and diverse Jewish community, and to help ease the social and economic challenges they faced.

Founded in 1908, The Kehillah set up an impressive number of bureaus that included education, philanthropy, industry, religion, and eventually and reluctantly, social morals. Crime had been a growing problem since the turn of the century, but was kept and controlled at street level and confined to the Jewish quarter of the East Side. The aftermath of the Rosenthal murder in mid-town near Times Square, brought the simmering problem to a boil through much, unwanted public and press attention, and The Kehillah needed some damage control.

Born April 24, 1891, Shoenfeld worked for the NYPD as a secretary to a deputy commissioner, and was a member Mayor Gaynor’s clean and sweep administration that were trying put a spit and polish back on a very tarnished Big Apple. It was during this period he became involved with The Kehillah. Noted philanthropist and wealthy banker Jabob Schiff hired him directly to delve into gambling and prostitution on the Lower East Side as well as other dark haunts in the city. Schiff may have assumed a Jewish investigator would of assimilated more easily incognito into those surroundings than a detective named Fitzpatrick or O’Malley. We’ll deal with our own, so to speak.

He reported his findings and sent tips straight to the Mayor’s office and the NYPD who then proceeded with numerous raids and arrests. While organized gangs were a little harder for him to back into a corner, he did seem to hold begrudged respect for bosses like Big Jack Zelig, of whom he couldn't deny the impact the leader had on the community as a defacto protector of the neighborhood. The undeniable affirmation of Zelig’s infinite legacy and influence among the downtown Jewish population proved evident in the impressive attendance for his funeral in October of 1912, of which Shoenfeld observed and reported on.
He was personally impacted the most by the state of prostitution carried out by many young Jewish women, and the dangerous conditions and unhealthy lifestyles they lived which appalled Shoenfeld to no end.

Shoenfeld’s detailed reports since then have proved repeatedly to be invaluable source of research for all crime historians who have unearthed the stories of the Jewish criminal class. His papers are now archived at The Central Archives for the History of the Jewish People in Jerusalem.

While much of the historical attention of Jewish crime generally focuses on the gangsters themselves due to their colorful lives of lawlessness and social abandon of the norm (I also share in that guilt), I believe it’s important not to forget Shoenfled’s work and contribution to the betterment of the cause as an important counterbalance to all these gangster tales. He remains an unsung hero of the time, though the impression I get from some documents provided to me by family members would be that he would probably shrug that honor off; humble and hardworking in hopes of simply making a difference his only agenda. There is much more to share of his life and work however, of which I will hang on to for the time being and wait until pending publication as to not give everything away.

I must send out my sincere thanks to author Rose Keefe who put me in contact with Abe Shoenfeld’s great niece, Ellen James.
I would also like to thank Ms. James and her mother, Thelma Sickles, Abe's niece from his sister Rebecca, for sending me reference photos and documents to work from, so we can finally see what the man looked like and give him his due.

Wednesday, August 13, 2008

Unearthed From The Vault - The First Illustration


Well, here it is.
This is the first, ever, illustration of the runaway train this project has become.
It was done with no real motive in mind, other than enjoying the simple pleasure of drawing the unforgettable mug that was Abe 'Kid Twist' Reles, whom at the time, I didn't know much about other than when I gazed at his simian-like features, I was stopped in my tracks. If I only knew then, where it would all lead to....

Dating back almost six years, almost three years before the project hit the current momentum, I was somewhat a little hesitant in posting this image. When I look at it now, my inner critical eye has many issues to raise, but, that's something I can wrestle with on my own and see no need to involve you with minor mundane details.

I posted some initial sketchbook drawings awhile back and thought it would be fun to include this one as well just to show the genesis of this entire affair and see how the work has evolved.....